Wednesday, September 23, 2009
Wednesday, August 5, 2009
The history of barber poles dates back to the 7th or 8th century in Europe. Today we think of barbers and doctors as being in completely separate professions, but in medieval Europe, hair cutting and treatment of injuries were done by barber surgeons, who employed some crude medical techniques that would have many of us fleeing in terror today…
Although bloodletting treatments ended in the 19th century, barber poles remain as a symbol of this gruesome past.
By the way, both barber surgeons and surgeons used the poles to mark their places of business, making them indistinguishable. In 1745, however, the surgeons formerly split from the barbers, after which laws required that surgeons used red and white poles, andbarbers used blue and white ones. There are lots of theories on what the blue colour represents, including that the colour combination was based on the French flag or the American stars and stripes. Another theory is that they represent blue veins.
Antique Barber Poles
Barber poles in very antique styles can be found around Japan, but actually they first arrived here when the country opened up to the West during the Meiji period, after the mechanism and design of barber poles had already been fully developed.
Another cute barber pole on a stand made in an antique style…
… and a new barber pole in old-school style.
Friday, May 1, 2009
Monday, March 2, 2009
1. Good Design is innovative
It does not copy existing product forms, nor does it produce any kind of novelty for the sake of it. The essence of innovation must be clearly seen in all functions of a product. The possibilities in this respect are by no means exhausted. Technological development keeps offering new chances for innovative solutions.
2. Good Design makes a product useful
A product is bought in order to be used. It must serve a defined purpose – in both primary and additional functions. The most important task of design is to optimise the utility of a product.
3. Good Design is aesthetic
The aesthetic quality of a product – and the fascination it inspires – is an integral part of the its utility. Without doubt, it is uncomfortable and tiring to have to put up with products that are confusing, that get on your nerves, that you are unable to relate to. However, it has always been a hard task to argue about aesthetic quality, for two reasons.
Firstly, it is difficult to talk about anything visual, since words have a different meaning for different people.
Secondly, aesthetic quality deals with details, subtle shades, harmony and the equilibrium of a whole variety of visual elements. A good eye is required, schooled by years and years of experience, in order to be able to draw the right conclusion.
4. Good Design helps a product be understood
It clarifies the structure of the product. Better still, it can make the product talk. At best, it is self-explanatory and saves you the long, tedious perusal of the operating manual.
5. Good Design is unobtrusive
Products that satisfy this criterion are tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained leaving room for the user’s self-expression.
6. Good Design is honest
An honestly-designed product must not claim features it does not have – being more innovative, more efficient, of higher value. It must not influence or manipulate buyers and users.
7. Good Design is durable
It is nothing trendy that might be out-of-date tomorrow. This is one of the major differences between well-designed products and trivial objects for a waste-producing society. Waste must no longer be tolerated.
8. Good Design is thorough to the last detail
Thoroughness and accuracy of design are synonymous with the product and its functions, as seen through the eyes of the user
9. Good Design is concerned with environment
Design must contribute towards a stable environment and a sensible use of raw materials. This means considering not only actual pollution, but also the visual pollution and destruction of our environment.
10. Good Design is as little design as possible
Back to purity, back to simplicity.